A woman is
enchanted if, without giving anything, she can receive more than she generally
gets when she does give herself.
Proust
The fat, ugly English girl. It seems difficult to understand why a woman
who COULD be beautiful allows herself to be so fat. I thought she would hate me for choosing an
Iranian woman over her. Even though she buries herself in a wall of flesh. But after the beautiful Soheila
tried to kill the man who loves her, the English girl gave her the coldest
evil eye that I have ever seen. It
requires a glance at the long and bloody history of
But I am feeling vengeful. I'm not sure why. I was nervous and agitated in the
I can't believe that I am feeling that
way about Judy. It must be some fear
of the sexual organ. A fear of being dominated by sex. A need to dominate woman? But Soheila would
simply be difficult in another way. The
Iranian culture would be far more of a burden than an age difference.
Obviously, I could get another woman.
I have had several attractive women express serious interest already.
There is no problem there. It
is something else. I thought I saw
Beverley at State the other day. If
I got involved with her again, THAT would make Judy nervous.
Can it be that simple? That I am just falling in love with someone
who is unavailable? Judy is a perfect
wife for me. How could I ever find
anyone better? Mohammed fell in love
with the beautiful Ayishah, but his first wife,
who was 15 years older, remained his closest.
He was inconsolable when she died. I am not superstitious, but again,
the parallel seems uncanny. Will I
marry this woman? Will I have two wives? He only needed to see her once, half undressed
in her tent, and he couldn't think of anything else. One of his disciples, her fiancé (!), almost
forced him to take her. He loved her
for the rest of his life. Yet he took
8 more wives! Again, Soheila
may simply be punishing me for this horrible burden of male supremacy that
history has placed on her shoulders. But
why ME, a man who loves her, who WANTS and NEEDS to love her? My
reason tells me that it is simply passion that blinds me to her obvious frailty
and inappropriateness. Yet reason also
tells me that such a young, pretty, healthy and intelligent woman could make
me happy; that she would benefit from having an intelligent older man as her
lover and guide; that she can hardly hope to do better than me. I am 14 years older than she is, yet I am also
11 years younger than Judy is! She
could give me children, and I could mold her into what I need.
But then reason stops me and says no,
she is probably a coquette. She would
probably be carping, difficult, materialistic, and she would make me unhappy
in marriage. Reason can also quickly
dispose of her. It does dispose of
her.
But if she comes
to me in some way, then what? What
am I doing? I have been at school often
enough. I've run into Vida Behnaz two or three times.
And I've talked to Hossein. He is sympatique,
yet such a weak character. It seems
he's bisexual! I just ignored him when
he said that he is tempted to go to
What will I do with her if I get her?
Should I have accepted her taunt? (That is what it was really)
She said that she wouldn't go out with me
Again, what am I doing? Is it simply that I already have stability, love, and happiness with a woman, but I lack passion, and therefore I selfishly want that too? Is life really that simple? Or is Soheila really Ayishah? Why is it that I love this woman so much, and above all the others here at State that I can so easily have?
Proust
Both Margie and Victoria called Judy
tonight. They are old maids. They have an unreachable quality. They make me think of all the men and women
that I have known who have never "achieved a long term relationship with
a member of the opposite sex." And
those that HAVE seem to have been forced to compromise horribly. The terrible mismatches!
And then I think of Judy's story.
How could I not love a woman with such an unfortunate past and precarious
future, and with a daughter like Andy?
And what chance does Soheila have in a world like this? She isn't even pretty. But she must be! Why else would I fall in love with her? I love beauty only. But I am very lucky because what is beautiful
for me is ugliness for others. The gods
are not completely against me after all!
She saw me talking with my beautiful
Polynesian student. And it's true, I
am tempted by her. She is in extreme
need because her mother is dying of cancer, and her father is already dead. She is alone.
And Soheila had just walked by me, 10 minutes
earlier, pretending not to see me! I
won’t fall in love with another woman because I want to save myself for Soheila. But Jina's need is overwhelming. I was almost overcome. And then, just as Jina
was leaving, I turned around to see Soheila coming
back from the bookstore. She looked hurt.
And I knew that she would ignore me again. So when she got near me, I turned my back on
her.
I have to either make love to her or
forget her. But it is probably simple:
she is a copy of my mother, and I can't be happy unless I am arguing and fighting
with a woman like my mother: Soheila has a sister
who is three years younger than her, a sister who is a year older, and a brother
who is five years older. That is almost
identical to my mother's family!
What never ceases to amaze me is how
FAR I can get from those simple heroic virtues that are so few and so sufficient:
will, application, courage. What exactly
did Napoleon say? Will, application,
and AUDACITY!
Odysseus. Dante. It isn't difficult to lose oneself in the thicket
that is the world. A hero must create
a heroic destiny out of the dust of the world. I am tired.
Nietzsche said that to fight one's
instincts is a sign of decadence. Would that life were as simple as that. Yet I know that there will come a time in her
life when she will gather her pain to herself and say, "God, why didn't
I go to this man? Why didn't I fall down
in front of him and beg him for forgiveness, why didn't I sacrifice EVERYTHING
for him?" I, in my wisdom, MUST
give her one more chance, even though I know that only the greatest luck, only
a smile from one of the gods, will give me success. But I owe it to her, to life, to me, to the
gods themselves, to give her another chance, and to give her everything that
I have.
I saw Vida Nazafarin
and she said, after the conversation had progressed a bit and after I had shown
my usual concern for her, "I think about you." And I know that means she has talked to Soheila and Soheila has told her
that she won’t go out with me because I would think about her too much. So Vida is telling me that SHE doesn't mind,
that SHE thinks about me too. So I smiled
affectionately, and said, "good." Then I said, "I think about you too."
I can almost hear Vida talking to Soheila and saying to her, "he said he thinks about me
too," and Soheila looking
somewhat disdainfully at her and yet hurt too! What an odd lot these Iranians are.
The
marriage of contrasting elements is the law of life, the principle of fecundation,
and the cause of much unhappiness.
Proust
I am sitting on the lawn in front of
the women's gymnasium in
They turned on the sprinklers. I had to run down the hill. My notebook is wet. They probably did it on purpose. Oh well, they're all lesbians anyway. I moved to the cafe.
I suddenly remember a remark that I
made in French class to Courant. I discovered an aphorism of Paul Valéry's: "The foolish things that he has done and the
foolish things that he hasn't done make up a man's regrets." (Les bétises s qu'il a faites et les bétises
qu'il n'a pas faites se partagent les regrets
de l'homme.) Soheila's French isn't very good. She could feel Courant's emotion, and his desire
to quickly change the subject. I was
certain, from her reaction, that she thought I said: the female beasts that
a man has "made" and those that he hasn't "made" are both
regrettable to him. It seems incredible,
but it is the kind of remark that a Persian man could make about women. The next class meeting she was cold to me.
But it was also the same day that.... So I can't really be sure why she
was cold to me for the last few weeks of class.
Then, on the day of our final examination, it was like the sun coming
out from behind the clouds. My love, which had all but died, was reborn
in all of its force. And to complicate
matters I learned from Hossein, at about that time,
that in Persian, "to have a class with someone" is slang for making
love to him! We sat there for two hours.
And I think that it might qualify for two more hours in our relationship!
Every time I looked at that sunny face, I saw a whole world. It seemed that there was as much beauty and
sweetness in her face as in any that I had ever seen. I am such a beggar in front of her beauty! I feel privileged just to be near her! How can I ever seduce her when I feel like that?
Why can't she see how much I need her?
How clear it is that I am nothing but a fool.
Can a man in love ever really get what he desires?
Is it always that either he or she wants something more than just love?
Judy told me the story of her aunt's encounter, as a young
woman, with one of the richest men in
Only
fools learn from experience
Lenin
She is unworthy of me, but the little
coquette has stolen my heart. She still
has it, and she is treating it roughly. I
am curious enough now to want to know if she really IS a kind of tart, or hypocrite,
or if all of this is just what it seems to be? Is she an inviolate Persian virgin hiding behind
her veil of chastity? Or is she just
a consummate hypocrite who thinks of me as a Romantic fool, and therefore is
cynically playing with me?
She is influenced, I am sure, profoundly,
by American culture. And that necessarily
translates for her into American soap opera. Because soap opera is the
American woman's will-to-power. "Beauty
all their means, power all their ends," as Pope said.
It is the feminine counterpart of Playboy magazine.
Cheap sensationalism wedded to an exchange: body for goods.
Mr. Perfect has his success and money and is more scarce
than a Playbunny.
Even Playbunny has little chance of winning
his heart for any length of time. And
all the other men and women just dream, and male beauty and female worth are
stillborn or starve to death. One sees
the skeletons of male beauty and female ability all around.
Two young women, 22 or 23 years old,
were sitting next to me on a bench outside of Boalt
Hall, one of the most prestigious law schools in the
And male beauty -- I mean
charm, attractiveness, and style as opposed to power, confidence, egoism, self-centeredness
-- male beauty is always stifled by women.
Ortega called him "the Interesting
Man." His book On Love seems to
be nothing more than a long-winded lament that women only find the most prosaic
men interesting, and that they ignore the really interesting men like Ortega
himself. So at bottom he is complaining
about his own case. Women flock to karate
experts, pimps, tough guys, movie stars, athletes, rock stars. They dedicate themselves to men who spend all
of their time building their muscles, who devote all of their energy to playing
tennis or learning how to kick other men in the groin, or who are just lucky
in the national "talent" lottery.
It is during her late twenties and
early thirties that an unmarried woman is most desperately driven by her reproductive
needs, and it is then that one sees this blind movement towards the powerful
man in its ugliest and most destructive form. It is only when they are in their late thirties
and beyond, and have their child, that women become
interested in the charming, quiet, beautiful, "interesting man" again.
It is only after they have run over the earth with the rich and the powerful
and the obnoxious.
And some women spend their young lives
obliterating the beautiful young man by worshipping their own cunts in that
odd self-mirroring posture of cunt licking narcissism that they call lesbianism.
I wonder if, it is often true that when an older man contemptuously rejects
a woman of his own age for a younger woman, he is taking revenge on one of these?
I feel like I should take pains never
to see her or talk to her again. But
I know that it is just pride talking.
The POWER of woman is so apparent in
this. Soheila
is REALLY powerless, yet she assumes she has, and takes, all of the power. I am a professor, in her eyes, and yet she has
all of the power. And I am "experienced"
with women while she seems, at least, to be a virgin without any experience.
We have a great passion, but without any
physical contact. The explanation must
be that she is a Moslem woman. She is
wearing a psychological veil. In
Hossein said
that when he was a boy, barely into puberty, he would spy on women to find out
where their daily errands led them, so that he could surprise them, alone.
He said, in his village, they dressed in chadors, or black "tents,"
and they would drop their veils and flash their faces to him in a kind of abandon
that he agreed might be similar, in feeling, to a Western woman flashing her
cunt. He said he followed them to a remote
place so that he could be alone with them. Once alone, they would sometimes let him climb
into their Chadors and fondle and suck their breasts and he would come in his
pants. He said that he lost his virginity
this way, at thirteen.
This has given her prestige among the Iranians. Has she told them everything? Isn't that why Vida Nazafarin told me that SHE thinks about me? There is a humorous side to all of this, isn't there?
This wasn't meant to be a living literary experiment, because I don't live my life that way. But it seems that it has turned out to be one. It is about woman as sexual object: "Me sex, you power."
Lenin said that only fools learn from
experience, but I say that only scholars learn
Why nods the drowsy Worshipper outside?"
Omar Khayyam
I saw an extraordinarily beautiful
blond girl in the Employment Office this morning. Her skin was flawless, luminous. I had that overwhelming emotion that I feel
lucky to experience only twice in a year. My
instinct is to dissemble at first and then later to feign a kind of controlled
interest. But her black pimp noticed
my reaction, and a few minutes later she was flirting with me while he gave
a guarded and slightly fearful approval. She seemed genuinely interested in me, as if
I could be her savior. There must have
been a hundred black men and women in that room, all of them watching us, and
all of them with sneers on their faces.
Sometimes I feel that if I could totally
dominate a woman like that for just a few hours or days, if I could live on
an island with her, for a few weeks, like the aristocrat and peasant in Wertmuller's
film, Swept Away, if I could fuck her and love her more than anything else in
the world, more than the grass, the sea, the sunset, more than the campfire
at night, more than the food that we eat, the sand, the wind, that I could be
finished with all of this forever.
But I know that I would never forget
an experience like that. That I would spend the rest of my days in some prison for a crime
of passion, not knowing whether to regret the crime, or to thank the gods for
that last opportunity for love.
This morning in the coffee shop I saw
an old woman that I thought was a Hindu. She had dark skin, and she was very
dignified looking. I tried to catch her
eye but she wouldn't allow it. She seemed
too self-possessed to be an American. Yet she was aware of my gaze, and there was
an aura of sex about her. But her hair
was very gray, actually white with streaks of black in it. Her hands had age spots on them, and she was
30 or 40 pounds overweight.
Very abruptly, she got up from her chair and handed
the owner of the cafe, a black former all-American football player, a Christmas
card. He took it perfunctorily, almost
impolitely. It was a very sunny morning,
and my brother and I were sitting at a table in the shade.
She had been sitting at a table that was in full sunlight.
She sat down there again but it was too hot for her to sit there very
long. Suddenly she got up, and she came over to us,
and sat down at our table! And she began
to talk. It was a continuous stream. She seemed childish, even stupid. At best, she was simple. She talked with a rapturous happiness about
a Manger Scene that she was going to set up on her front lawn. She said that she put it up every Christmas
and she was going to put it up tonight. Her
animation contrasted with my brother's sadness and lack of emotion.
She said she was 55, but it was obvious that she was older.
She said that she had been raised by the Catholic Sisters, and that she
had been orphaned at 6. Her ecstatic
happiness bordered on madness. She poured
herself into us. Or, I should say, into
ME. My brother was impassive. He simply wouldn't respond to her. She said that she was out of money, but that
she knew where to borrow it: that the owner of her apartment building was rich,
and that he was always good for a loan. Then
she looked at me with a kind of world-weary lecherousness! The old bag is still selling herself! The lesson
for me is that, without words, it is difficult to interpret a look in a woman's
eyes. And that the difference between
a whore and a saint is very little.
I fell asleep on the couch this afternoon and had a dream. I was looking into Soheila's
eyes and feeling that I loved her more than anything else in the world, but
I was telling her that I didn't love her, that she had let me project my love
into her, and that I didn't really know her and therefore couldn't possibly
love her. Her eyes filled with a kind
of mute and passionate terror, as if she too loved me more than anything else
in existence and was imploring me to take her in my arms and make love to her
right there in front of the old woman and the young prostitute, before it was
too late. The young blond girl then began
to plead with me that she was more worthy of my love than Soheila, who is a foreigner. She then told me the story of her misfortunes.
Her father had been rich, but had lost all of his money in the stock
market and committed suicide. Her mother, who was a saint, had died earlier
in an automobile accident and so she was forced to go to live in an orphanage,
where they turned her into a prostitute. Then
the old whore said that she wasn't really Indian but Persian, and had known
Soheila's mother, back in
I have
noticed already that I was relieved when she said that she didn't want
to see me. Relieved because the tension
was too great. It seems certain that she is Goody
Two Shoes, that she can't love anyone, and that I am simply protecting
myself from the pain of it. I
am giving myself emotional distance from her by telling myself that
I don't want her, that I don't love her.
But it is futile. She loves me as much as I love her, but she
has decided that it is impossible, that love isn't enough, that
she must try to arrange a good marriage, rationally. I represent her instincts, and so she has to
fight me with all the fierceness that one uses in the fight against
one's instincts. When I surprised her that day in the
And then, last Thursday, I was leaving
the Cafeteria, very near the place where I pleaded with her for her
love. The place where we exchanged
the sweet and fierce passion that still consumes my existence, and I
looked up, and in the distance encountered two eyes that proclaimed
even more than love. Those two eyes insinuated themselves into my
existence, and they took whatever I had that was only mine, and whatever
she had that was hers alone, and put it somewhere that I am afraid neither
one of us can find by ourselves. Without
realizing it she condemned us to find that place together. She was sitting in the library, studying, and
looking at me from the window. Then
she looked down, and hid her face in that great and wonderfully tangled
mass of black hair that I love so much.
She has convinced herself that our relationship is impossible.
So she has placed the burden on my shoulders.